Cadillac Ranch is a public art installation and sculpture in Amarillo, Texas, U.S. It was created in 1974 by Chip Lord, Hudson Marquez and Doug Michels, who were a part of the art group Ant Farm, and it consists of what were (when originally installed during 1974) either older running used or junk Cadillac automobiles, representing a number of evolutions of the car line (most notably the birth and death of the defining feature of early Cadillacs; the tail fin) from 1949 to 1963, half-buried nose-first in the ground, at an angle corresponding to that of the Great Pyramid of Giza in Egypt.
It was originally located in a wheat field, but in 1997 the installation was quietly moved by a local contractor two to the west, to a cow pasture along Interstate 40, in order to place it further from the limits of the growing city.
Cadillac Ranch is visible from the highway, and though it is located on private land, visiting it (by driving along a frontage road and entering the pasture by walking through an unlocked gate) is tacitly encouraged. In addition, writing graffiti on or otherwise spray-painting the vehicles is also encouraged, and the vehicles, which have long since lost their original colors, are wildly decorated. The cars are periodically repainted various colors (once white for the filming of a television commercial, another time pink in honor of Stanley’s wife Wendy’s birthday , and yet another time all 10 cars were painted flat black to mark the passing of Ant Farm artist Doug Michels or simply to provide a fresh canvas for future visitors. The cars were briefly “restored” to their original colors by the motel chain Hampton Inn in a public relation sponsored series of Route 66 landmark restoration projects. The new paint jobs and even the plaque commemorating the project lasted less than 24 hours without fresh graffiti.
|Cost:||There is no fee for visiting Cadillac Ranch|
|Best Time to Visit:||The area is open 24 hours a day seven days a week, but there are no lights so plan to visit during daylight hours or furnishing your own lighting.|
|Where it is:||In a cow pasture outside of Amarillo TX|
|Directions:||Along eastbound I-40 between exits 60 and 62. Exit onto the frontage road, a remnant of historic Route 66, then enter the pasture through an unlocked gate.|
|Links:||Official Cadillac Ranch WebsiteAmarillo Convention & Visitor Council|
Tips for the Photographer
|Equipment:||You do not need any special equipment for this location, anything from a point and shoot up will give good results.|
|What to Photograph:||Cadillac Ranch is famous for the 10 Cadillacs buried in the ground in a cow pasture in in the Texas panhandle, don’t expect anything more than that. The cars have been painted so many time the spray paint has built up to be over an inch thick in places, with changing colors and patterns. You could photograph this site every week and it would look different.|
|Photography Tips:||Trying to shoot all 10 Cadillacs at one time will not give a real interesting shot. Move in close and shoot the detail and color of the cars for some really interesting and abstract photos.|
Cadillac Ranch Photo Gallery
More Photographic Destinations in Texas:
Interactive Google Map
Use the map + – controls to zoom in and out, use the Map drop-down to change to “Map”, “Satellite”, “Hybrid”, or “Terrain” views. Drag the little man icon from the upper left corner to a map location for street level view. Click on a pushpin for more information about the Photographic Destination, then click on the title to go to the location page.
Massive public aquariums are sprouting up in major cities all over the country, and are a great way to see the undersea world without having to travel to the ocean and learn to scuba dive. Being a photographer you want to be able to photograph the experience, and if you have tried you probably found that this is harder than it looks. This article is to help teach you some of the techniques used to be able to capture the fantastic undersea world while on dry ground.
Most public aquariums offer many obstacles to photographers:
- Low Light
- Limited mobility
- Fast moving subjects
- Crowds of people
- Restrictions on use of flash and tripod
And then add to that the complexities of shooting through water, which is a lot different than shooting through air. Shooting in an aquarium is basically the same as shooting underwater, except that you do not get wet. The biggest issue when shooting underwater is lighting, light does not travel well in water. In addition the water acts like a blue filter and absorbs the reds and greens.
There is no one sure fire method to shoot an aquarium, each one is different, and each tank is different. Lighting conditions, water quality, the size of the tank, and many other factors all play a role in choosing the best method.
Use Digital Camera
First off I know some of you are going to say, I can shoot with film, and yes you can but there are some great advantages to using a digital. When shooting an aquarium you will have a low percentage of good shots, with digital there is no cost to shooting hundreds of photos to get just a few keepers. Digital offers the ability to use high ISO’s that you cannot get with film. Your images need to be edited on a computer to obtain the best image. Evan if you do not normally edit your photos, when shooting underwater you lose color and saturation which editing can restore.
- Edited Image, with color and saturation restored.
Choosing your equipment can make the difference in a successful shoot. One of the concerns is that you will be in a crowed area without much room to work, low lighting, and need to do a lot of moving around. It is best if you can carry all your equipment and keep your hands free to work. A photo vest, belt system, or fanny pack work well. Try to avoid bags that you have to take off and set down to access equipment , both because they will be in the way of other people and they may tend to walk off on their own.
Shooting in low light, a tripod may be your first thought, however it may not work as well as what you would expect. A tripod will do a great job of steadying your camera, but does little to steady the subject, swimming fish. A tripod takes a lot of room to setup and is a trip hazard for others. A mono pod may be a better choice for the aquairium as it takes very little space and is easy to maneuver and will work well at shutter speeds fast enough to catch a moving fish.
A wide angle lens will work best for most aquarium shooting, you need to be close to the glass and close to the subject, a wide angle will give the fish room to move and not swim out of the shot. The faster the lens the better, you are shooting in low light and need a large aperture, image stabilization is also a great benefit. An internal focusing lens is best, (a lens that the front does not move when you focus) this way you can press the lens against the glass to steady the camera and avoid reflections. This will also make any scratches in the glass go out of focus and not show in the photo.
Using a flash
Using a flash in an aquarium can work well under the right conditions. Light falls of exponentially in water, your hot shoe flash will work on land at a distance of 15′ or more, but will only work well underwater at a distance of about 3-4 feet, and just a few inches difference in the distance to subject can cause a significant change in lighting. Notice in the photo below how the fish on the left side of the image are almost completely dark, evan thou they are only a couple feet behind the front fish.
Back scatter, light reflecting off particles in the water is another problem with flash photography underwater. The flash needs to be shot from the side at near a 45 degree angle for best results. Another issue is reflection from the glass of the aquarium, this means that you need to get the flash off the camera with a remote cord or wireless flash transmitter.
Set the ISO to the lowest setting that will give you a fast enough shutter speed to freeze the motion in the frame. Shooting an aquarium with low light this setting may be the highest that you have ever set it. Many of the photos in this article were shot at ISO of 3200. If I have to choose between a photo with noise or a blurred image, I’ll take the one with noise. I also believe that in the future we will have software that will greatly improve a noisy photo, while I doubt we will be able to fix a blurred photo.
If you can this is the time to shoot in RAW, this will give you more information for editing your photos, remember they do need to edited. If you can not shoot in RAW, then use the highest quality setting that you can on your camera. If you are unsure of all the quality settings and what they mean, the easiest way to know when you have the highest quality is when your camera LCD shows the lowest number of available shots.
Continuous Shooting Mode
Set your camera to the highest speed continuous shooting mode. When shooting a burst of photos by holding down the shutter button you increase your chances for a sharp image because you are not moving your finger and pressing the shutter button for each shot. Remember shooting digital the extra shots cost nothing, delete them later.
Most of the time you will do better to turn off the auto focus on your camera. Most cameras auto focus systems do not work well in low light, shooting through glass, or shooting through water. Any of these can cause problems with the auto focus, and we are combining all three. Pick the area you want and pre-focus manually and then wait for the fish to move into the area.
I suggest using auto white since there will probably be mixed light sources and possible different colored lights for effect in the tanks. This is also one of the HUGE advantages of shooting in the RAW file format, you can adjust the white balance later when editing with no loss of information.
Don’t chase fish, many of the fish in aquariums will become repetitive in their behavior and follow the same path around the tank, learn the patterns fish follow, set up and be ready for them when they swim into the frame. Be patient, you will have to spend some time and take many shots to insure success, but it can be done.
Photograph more than just fish, all those people that are in the way blocking your view of the tank, can make for excellent subjects themselves.
Don’t overlook the architecture of the aquarium itself, most of these are works of art in themselves.
The ocean looks blue because water – even when very clear – absorbs and filters out the red side of the color spectrum. So naturally our pictures will all look blue. The closer the camera is to the fish the less loss of color, this is why we use a wide angle lens and then edit to add the warm colors back into our photos.
And the last tip, be sure to shoot the Jelly Fish, I think they are the coolest thing in the aquarium!
On June 20 I held the first Fort Smith Photowalk and had about 25 photographers show up for a fun day of shooting in historic downtown Fort Smith Arkansas. Bedford Camera and Video in Fort Smith was kind enough to sponsor prizes for the event.
One of the interesting things to come from a Photowalk is to be able to see what other photographers found to photograph on the same route. All participants were encouraged to upload photos from the day to the Flicker Group set up for the event.
As the organizer and leader of the Photo Walk one of my responsibilities is to judge the entries and pick 3 of the best photos as the winners. This is the hardest part of the entire event, there were many great photos submitted and I had to choose.
And the winners are:
1st place $50.00 Bedford’s Gift Certificate
2nd place $30.00 Bedford’s Gift Certificate
3rd place $20.00 Bedford’s Gift Certificate
Saturday was the great Photo Walk, and we did have a great time. Our walk was attended by about 15 photographers and the weather could not have been better. The route for the Photo Walk consisted on Garrison Ave (Downtown Fort Smith) and Belle Point on the Arkansas River to Catch the sunset which turned the sky fabulous shades of red and orange just before 9:00. A couple of the participants wanted to do some night photography, so three of us walked the route again and shot night scenes, finishing up at about 11:00. Posted below are some of my shots from the walk.
The image here is of the Painted Desert in the Petrified Forest National Park in northeast Arizona. It is very difficult to capture the wide open spaces of the American West with a camera. One way to overcome this is to shoot a panorama, taking multiple exposures and then combining them in software. This used to be a very time consuming and tedious process taking special equipment to make the images line up. Using new software, making panoramas is just a simple matter of taking multiple shots, overlapping the edges by about 25% and then let the software do it’s magic. This image is made of 27 individual shots taken in a portrait orientation and then combined in Photoshop CS3.
Click on the image for a large view (it may take a while to load!). If the image fits in your browser window, click on it to make it full size, you can then scroll left and right to view the full image. This image has been reduced to about 1/8 th of the original size for the web. The full size image is 36,100 x 4496 pixels making it a 162 megapixle image.
Can you find the people in the image?